I found some actual real lino to make linocuts with. I've had it sitting there for years, and just found it when I was looking for something else entirely. So, I thought I would cut some lino with it.
This is the inked-up block, after its second inking. It's 150 x 150 mm.
Printing was not very successful at all.
The print on the left was printed in my nipping press, and then rubbed vigorously with a baren because I suspected that the ink transfer wasn't entirely successful, as indeed it was not.
The one on the right was run through my little roller press.
Neither of them are very good at all, due I think to a combination of factors.
My workroom was pretty cold, so the ink was very stiff. I rolled up the block with a very hard EssDee brayer, so the ink wasn't pushed down into any unevenness in the surface of the block, of which it seems there are many in this natural lino. The lino itself is very hard, so it doesn't squish at all. And the paper surface is also quite hard, so it doesn't conform well either.
I think the extra-hard brayers would be better suited to wood engraving, or maybe relief inking of intaglio plates, than to the sort of thing that I do. I prefer something with a bit more give in it.
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