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It's been cut entirely with the Pfeill #11 sweep/veiner I showed in my last post.
As you can see, there's almost no variation in line weight, as you would get when using a vee-gouge. It's kind of the block-printing version of a technical pen.
As an aside, clearing out the pure white areas with a #11 is a real pain. It's not something I would have done if I hadn't vowed to use no other tools on this piece.
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